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Where to Invade Next 2015

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Saturday, 6 February 2016, 18:31 | Documentary | 0 Comment | 1031 Views
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Where to Invade Next (2015)



Documentarian Michael Moore is a polarizing figure. Over the course of his career he’s had run-ins with the gun lobby, auto manufacturers, the health care industry, an American president, and many others. And now he’s taking the Motion Picture Association of America, the governing body responsible for movie ratings, to task for how they rated his latest film.

Moore’s new movie, Where to Invade Next, was slapped with an R-rating by the MPAA, thus limiting its accessibility to audiences. The director of movies like Bowling for Columbine, Roger & Me, and Fahrenheit 9/11 plans to appeal the rating, and recently took to Twitter to talk about why the rating is especially suspect.

Director: Michael Moore
Stars: Michael Moore, Krista Kiuru, Tim Walker
Producer : Carl Deal, Tia Lessin, Michael Moore
Executive producer : Mark Shapiro, Will Staeger
Country: USA
Language: English | Italian | French | German | Finnish | Norwegian | Portuguese | Arabic
Release Date: 25 February 2016
Filming Locations: USA

Where To Invade Next’s debut teaser certainly suggests that this could be Moore’s lightest and funniest documentary in a good while. However, the shots of the riots in Ferguson, Missouri, prove that Michael Moore, who is not one for avoiding controversy, will clearly tackle weightier issues, too.

With Where To Invade Next, Michael Moore, who shot the film in secret with a small crew, looks to examine a number of political areas from different countries, before then taking the best of them for the United States. On his journey, Moore visits an array of different countries over three continents, contrasting the approach that the United States has to health-care, work weeks, education, female leadership, prison reform, and countless other topics to those of Finland, Germany, and France.

It also sounds as if, after premiering at the Toronto Film Festival on Thursday night, that Michael Moore’s latest film won’t have any trouble gaining distribution, after it made a tremendous debut at the event. Critics and audiences alike have both responded positively to his latest flick, and already a number of studios and distributors are preparing bids to purchase the film and bring it to wider audiences.

Which is hardly surprising. Because Michael Moore’s films have mostly performed well at the box office. Bowling For Columbine grossed $58.08 million, Sicko made $36.08 million, while Farenheit 9/11 is the highest grossing documentary of all time with $222.5 million.

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